||| salvage poetry project : POEMS |||
For more information about these poems, such as how they were written or why the videos look like they do, or where the name "salvage" comes from, click HERE. Otherwise, find below the poems I've written as part of this project. I also encourage you to check out the poems' video versions, available on the bar on the right if you have a chance.
"mitchell - 1:3 = 3;4,1,2"
green ideologies decline the task into us
no longer subversive delineated
in a time of fiction and phenomena
value remains, cultivated, conscious;
sustained and lost
after after after
their authors that wrote before
Page three of the source text the poem draws from [link to image]
"special envoy - 1:16 = 2;3,2"
and the door there's straight
straight, loose, and open,
tore away, rushed on, flinging into
drowned darkness and misapprehension;
up the soaring tilt, the room slid under,
all over, the same illusion of pandemonium
Page sixteen of the source text the poem draws from [link to image]
"juza - 5:10,9,3,7,1 = 5;5,1,1,3,2 | 6;1,7,3,1,7,4 | 3;5,1,5 | 1;2 | 1;8"
Time after time, people span a secondary time,
Beginning and transformation envision it
Transcend energy, our very worst souls
In a tertiary span of time
I matter here as power
I work here as power
I am certain to power
I am simply a[n] instance
A mechanical instance
Power referring to power
For all power
Is generated, even in that
Horrifying, attempted eyeball
Made of will and experiment,
And truth. truth that cannot give completion
One hour is so terribly massive.
Seventy is equivalent to one
134,000 is equivalent to power.
There is just a single hour.
Experiments transform risk into expertise,
The new physics is founded on this.
Experiments listen to disaster
From fact to thought
From the the the might about to vanish
Equivalent to the weight of mystery
A second cluster
last
The weight of weight
That fact of theory
Physics related a single theory,
All years
Will evaporate
Into nothingness
Like the peculiar presence,
Possibilities of presence,
Imagined paper planet
Express separated spoken
Now was was was
nothingness.
not words, but question
Knowledge
Doesn't wonder why
Page ten of the source text the poem draws from [link to image]
Page nine of the source text the poem draws from [link to image]
Page three of the source text which the poem draws from [link to image]
Page seven of the source text which the poem draws from [link to image]
Page one of the source text which the poem draws from [link to image]
"Haruo - 27:20,16,11,3,19,21,21,23,13,4,19,1,1,20,16,5,12,23,4,17,3,10,12,10,10,4,12 = 2;2,8 | 1;7 | 3;1,6,5 | 1;1 | 2;1,4 | 1;2 | 1;1 | 2;2,2 | 4;6,3,4,6 | 2;3,1 | 3;3,1,1 | 0;0 | 0;0 | 6;7,3,2,4,1,6 | 7;4,3,3,1,6,3,7 | 2;1,4 | 3;1,3,3 | 1;2 | 3;1,4,2 | 2;2,1 | 1;4 | 1;1 | 4;1,2,2,4 | 2;2,3 | 1;1 | 3;4,4,2 | 3;4,4,5"
Stop stop stop
He, the young woman, rose
Rose because mirrors
Did not reach him
Because he blinked
And the glare realized it
Written on him was
Hard Brightness
And clear data
An antenna of the old room
Hearing as a radio
Radio that sighs to bury
Regret in a continued
To be secret cave
Inward appeared to collapse
One inward rises one inward collapse
Strange strange strange
Death subsisting on
The connected world of memory
And voice enslaved by
By fashion
By fashion muting
–Despair leaves quelled.
The sky is overcome with arms
Language, laughter, and, lower, fingers
–The earth shook
From the dripping tears.
He raised his body
He had fears and anxiety
He was screaming
He, the woman, rose
She felt like a woman
The woman of her dream
Her arms wrapped around she
And he became her
He appeared in the mirror
Like a window
That wore sex as boredom
True women resembled
Difference
Dissatisfaction baptized him
Sunless not night
Anxiety crept past him
Vague transformations had begun
Patterns fake art
And call it richness
Purpose, meaning
Vividness
Bright, excessive delusions
Gaze at the art
Direct art means
Nearly fake art
You are happy
You are
Filled
And drenched in tipsy sunlight
The sun died inside
And the sky tasted whole
Died yet singing here too
You are happy
He woke the story up
Radio poet meters out words
Clear and blasting
Edible like thrown gas
Its words light up
Radio poet lives to question
Radio poet could not lead
Day 1
Window 7
Laughter laughter laughter
Fears wind his body
In undulating leaves of language
He rose without arms
Without the surgeon
Without the burning fingers
Without the monster of commotion
His body tears once
The hurt
–What? –How?
The woman glaring at him was him
They both stripped
Exposed as ladies
He, the young woman, had to transform
I was you
Just teeth
No vehicle
No useless worry
He began the transformative procedure
His bowels grow faint
He packed in drugs
Into
Into
Number name
Mind you, life here's easier
Identification
Name you should
Know your name
Man
The remote operation
Descended to him
Turning
The man
Around
The radio was hoping
He was a man
Cum cum cum
Strolling in a circle
Cum was as a sacrifice
Cum deprived him
Nauseating
Red and blue looked
As superimposed scars
Virulent
Smashed fragments
Lurid colors crisscrossed
Strange and incomprehensible
He wasn't there
He wasn't that
He didn't
Sense
...
He wanted to die
He wanted to been happy
Man who had a secret
He wanted change
The deep pit was reproduced
Women
Embarrassment in his dreams
He neither wanted to see his forms
Nor his eyes
–
Injection
Access remains
A puzzle
Revived from the dead
Original meaning
Sex woman dream
Analytical psychology
Boy opposite curious
First this
Devastating planet
Thought to society
Built his exile
Outside and different
Parallel together
They met as two
To extend to one
That extend mechanical
Bizzare patch
: a headache
Formula is the crudest
Philosophy
Formula doctors
Value justice
First
But color its collapse
Between solace and
The jarring, seized, intersecting, he
Me
Eventually
A man of 20
A man of 21
Drive the past out
Boy himself
Sufficient
To the machined
Kind was outside
Planet thought to society
His kind
Wanted to continue in secret
Wanted to live
To be happy
And continue
To change
The environment built in he
He wanted to adjust
The world to adjust he
The lowest word
A pit three hundred meters
Language for no human
Terror
Confronting he
Terror
Gaze backward
Buildings
Gaudiness
Sickening
Narrow
Collapsed
Terror
Physical lines
Muted hoping
Between writing and he
Terror
Nearly
Mixed in
Moving along
The crowd in he
"Astromania - 10:15,3,16,7,9,15,6,4,11,15 = 2;5,1 | 2;3,4 | 5;2,3,3,1,2 | 3;1,4,2 | 8;4,2,2,5,2,3,1,3 | 3;8,8,2 | 2;1,1 | 5;6,3,5,6,1 | 1;3 | 6;1,6,8,5,1,7"
Glittering started
We spread with strange
Us two
Hand shadow
Beneath popped into
Into my mind
Borrowed; filled
Just passion
Longing for
Vivid memory
Stills
Seems
Punctuated, tiny
Like like like
Round corner
Spilling hill
Underneath
Future city
Press machine
Up! Out! Back!
Look look look
Climb!
Spilling summit
Silver silhouette
And Green,
Very Green
Blue abandon
Named moon world
Red mark
Seen in scene
Like like like
Exact night lover
With distant kiss for sky
Our nostalgiac universe
Face to face
Hand to draw
Right to work
Full enough for
Well spelling letters
To hang on
And tower
Sweet and delicate
As if for Nuremberg
Needless
Rare
Glass earth
Hanging with
Green
Hanging
Shooting
A poster of a tire
Thought out
Like rare paper box
Like delicate bulbs
Soap left
Soap has left
Facing Fascination
Taking no
Dry holes
Flock to blue
Fascination
Too held
Has no profile
Straight like mirror
Like lost thought
Like silent doll
Part wonder
Part cross
Part lost to
Production jerk Otto
Really
Fill night with silver
Glass package
Of paper smoke
Time before Geneva
Dream time
Together
Together we time
Tradition
Nature
Something
Twice that
That fleshing plot
The moon
Doesn't have tradition
But
Narrative and
Agenda
Decorative and
Dressed in light
Gaslight like glitter
Lights like
Paper road shadow
Like carton hand like
Soon palace
Factory light
Below
Behind
Buzzing
Humming like brick
Light towering
Lining
Building
Manors
Leaking
Like mirror reflection
Of mechanical thought
Lonely and lost
Along
Over
Two accompanying two
Stardust
Sidewalk
Shadow...
Soon the road appeard
Unexpectedly
Indifferently
Just wonder
"Yiu - 19:6,8,11,5,19,8,20,2,9,19,9,8,8,19,20,20,3,15,19 = 3;2,4,1 | 1;1 | 1; 4 | 2;1,2 | 2;3,2 | 2;2,2 | 1;2 | 1;1 | 4;4,7,8,3 | 3;4,2,2 | 5;1,1,1,1,2 | 2;2,2 | 1;1 | 1;2 | 3;1,3,4 | 2;3,1 | 3;1,2,1 | 2;1,1 | 3;1,4,1"
Fiction
That futurological detour
What will fiction create?
Born under imagination
The received generation
Formed decade critics
Fiction
That cinematic springboard
Shared imaginings purpose
Of of of
Manifesto children
Fashionable and impossible
Moreover
Movement pointed to stagnation
Unreal, nonsensical, and
The themes of worlds
And worlds can be
Fiction
Preserving
Utopia in the dream
Schemes to deal with time
Obscure compelled
Anonymous city
To untimely appreciation
Fiction is a hole
In the story lacking
Obsession--
Science-fiction
On paper
On paper reserved
By rights based
On ink
Sharp pointed away from
Fiction dawned away from
Realism caused world decline
Science fiction
Lack plants and aliens
Science fiction, the muting genre
Technological and estranged voice
Three-dimentionsal means mobility
Ground means machines
Space means the spiraled lower
Collapse
Left in cold hard
Create extend reached upward
Fiction is a privelege
Broadcasts the radio
Broadcasts new science
Life below ground
Detached
Ground continues
Below ground
Centuries from time
Story places a frame
The frame is Edgar Allen
Time seeds form
Fiction texts the future
Literary parody of time
Flawed wonderland
Fiction dimensions
Women in to estrangement
Call it human!
Call it society!
Call it that
Lowest of the
Lowest of the
Lowest of the
Ground world
A spiral of death
World, inevitably
The attempt to
Climb underground
Figure on ink
Ink on paper
Map map map
Fiction predates language
Amorphous
Lacking time
Future envisions snow
Blossom
A dream of sun
Image returning transcendental
Indebted
Changed
A new dawn
West of utopia
Fiction
Term for returning home
See death like Spring
Point to it
A novel future
Dream among dream
Sphere:global:record
Writing is escape
No worse than
Reality
Both are terrible
A new experiment will
Structure chaos
Will use order
Classical and canonical
Character recognized in
The new thrust of
Fiction flattening
Works by
Determining
Which play was popular
And where it began
Landscape written as play
Fact holds form
However silently
However carefully
This is the point
Time after time
Beginning after begining
Edgar Allen deduced the place
"Clear cannot point to popular"
He wrote
"The reader is the expression"
poem 7: untitled (theprostitute) || "Literature of the gap."
Literature of the gap
Literature of the time
Here, the first time
Art of a society in transformation
Result was protest
Labor began to become
Famous
--Strike that
The man had feet
People have hope
Care
The woman on display
Like a pale man
Three into me
Bleed into her
Time of
For care
A longtime
Literature of remnant revolution
poem 8: untitled (wonder-island) || "won der is based in _thIS_"
Wonder is based in this
Modeled on dream
A gentle attempt to
True beginning
Old child
No longer looked like a museum
The mount is color blind
Must be
Tongues express their rotted
Reluctant
Are are are
Cucumbers could only see
And melons
Pile of speech
Stripped to see
Stripped, remember,
Stripped of undershirt
No bag no vegetables
A black bag
Vegetables transcending
Transcending fairness
Vegetables discern
Discern the real
Doubt into drippings into
Oil into electricity into
Into into into
Plants killed vegetables
So much for speed
poem 9: untitled (protest art1950s) || "torment emerges..."
Torment emerges
-Torment was painted
By life, haunted
Late
Weaker, only underlying
Painted like presence in potential
Inherent
A metaphor of apparition
Viewing nature images
:click:
The painting had time
Even the changing painting
Even the painting of corruption
Phrases of a savage atmosphere
A killing cision
Already max output
Saw him into memories
Saw this in her as work
Saw her in as wife
Film collapsed into darkness
Two became 20
20 became 26
Film collapsed
Like a series of protests
Painting chance as death
It experiences large
Hundreds rejected it
Asked about work
For support
Darkness into darkness
Into into into
1960
Is here
Had the death being
Animal buried as human
Unable and alive
It experiences seems wife as
Firing clockwise
Clockwise above 1960
Painting for to survive
1960 collapses
Potentially
:click:
Full detail changing
Nature images technology
Technology cultures nature
:click:
poem 10: untitled (SOCIALISTREAL-ISM) || "explain that..."
Explain that
Contradiction
Nothing persuades
Poetry can not persuade
Art is this much a system
Of for to argument
We despite it
Most remark, "as well"
Consider fact
Painting of support
Deal in function
European systems
Consider fact generalizeable
Inverted
Systems influence
Not temporal hierarchy
Migrating boundaries
Consider the many
Wester
Our us we
Believe history
Attempt to reason
Proclaim the attempt
As the world itself
Pattern the for marked
Foreign implies context
Centuries later
Nations later
A pattern for to believe
poem 11: untitled (losthome) || "part hecomes _HIM_"
Part becomes him
He reads it
It reveals time
Time presses on him
He becomes writer
More passing
No way to evade concrete
Except
No structure is original
It is him as structure
Except
Time matures time
He reads "last part"
Except
poem 12: untitled (proletartmovemen-t) || "headedout alone..."
Headed out alone
Conscientous and individual
The memebers were as a ruined newspaper
The direction was overflowing
But for no self-confidence
It funneled into reform
Generally that reform varied
As all the ambitions separated between them
Rebels, spurred by inclination and
Organized meant nothing,
Barely
Twenty interconnected influx
Highjacked eyes had enrolled the group
The new group was imperial
Society under man laid first
poem 13: untit led (comerad taguchi) || "boyhood endowed the woman with anxieties -*-"
Boyhood endowed the woman with anxieties
"Passing"
Eyes leap to the woman
Memory and experience had no connection
The forgotten name stuck out
As a corner of a song without tune
A change for beauty
"Passing"
Eyes accentuate the woman endowed with boyhood
Knowing that it happens has to help
But you stuck to the name
And you alwys say it, knowing
A flood of imprisonment
Six long months
When first you could
Pause
The woman seemed spotless
Without corner
Her shrouded face
Could only stare,
Not recognize
You
Here
Back here
They aren't ladies
They aren't hardworking
They were
You
The other smiled
You
Her equipment was sudden
But frowning
Standing there
You
Why?
Just try one
Psychic injuries show the woman
As invisible
In Hell, as a man
Because of oppression
The problem is a pttern
Deeply useful to injustice
A literary method arrested her life
Over and over, unhinged
Her life has problems
As scales were from herring
Time crossed the loop, repeated
One trek led to two
And after each
You smiled
You smiled
Try putting those on
You like them(?)
Just one
Glimpse the corner
Without corner, the woman looked creased
Moved without standing
And, at you
They smiled
At you, they smiled at you
Time repeated
Up led over led back
A fresh loop of scales
After they smiled
After you smiled
At other you
She couldn't face her voice
Couldn't look in her face
But she spoke in a look
At smiled other
At each you
And at each after
Were there people there
Were people people too
There were
For sister spring
It's about to come
The thinking herring
But sister death was lonely
Out of feelings
Out of the story
Out whilesuspended
Suspended in place
For shape was in a he status
Sister river came later
Her body that was the head of a guy
She didn't love her body
Most of the time
Most of the time
Like her long, red, skirted stretch
Like the quilted legs she couldn't bear
Catch the legs in a see the legs
Couldn't bear the big and the spectacle
Sunday crowded in
The people you don't see
Tell you it
Sister thin decided
It was her
She'd end it
Suddenly a mountain
Suddenly the other
Suddenly like passing
Only that people could tell
People stopped, crowded in
People don't see you
Curving mountain
Wall in between and narrow
Curving mountain, gently sloping
Swampy foundations
Feet felt like glued mud
Dull underneath dull
Spotted and forsaken
Sister sea would hide
She would part her hide
And come out
To pass as white
A front to pass as the other
Pass like trans pass
Crumbling under a whole village
Like blow
Out from jutting village
Old separated village from shoreline
out out out
In poured the pieces
Of your wall turned to mud
In and underneath. Crumble
Out to the village
The old separated
Out the old from the old
Out out out
poem 14: untitled (the/mother) || "Miss? Miss?"
Miss?
Miss?
Miss is here
for work
an
an
here was workers
workers wore clothing
clothing wore workers
here,
these workers here
time worn
work is work
your "what?" is work
it is what it is
white story
of the arrest of hats
fall and fall and fall
books from prison
books com from prison
they've come from books
clothing wrapped
everyone in arrest
clothes of blood
from prison
those from prison
haven't come
now another space
mother took what space that she was
around
here was clothing
small workers
had small clothing
No
I'm
I'm no mother
from november
from central
from november translated
translated describes loneliness
leaves of loneliness
and reconstruction
the head was bright
face to face
it was cheerful
no matter
they threatened he supplies
now was she undeterred
from night aid
from from from from
from from from
no match
they're no you
no match
would they
no relief
no supplies no goal
NO
NO
NO NO NO NO
the police moved in
the police followed she
the police the police
your it
what your
it
books from prison
they've they they they
books from prison
all blood
all bony hand
face to face
white terror
hanging dark to
hanging to dark
lingering blood until arrest
hands wrapped around
wrinkled rubbed everyone
No one
No one
Claim Catch Come
books from prison
books from prison
books from prison
around and around and around
until blood
the torment these clothes blood
work work
we work
do do do do
yes yes yes
made made
made yes made
work work work
for aid
they've work
yes yes and at
yes yes
at at at and yes
yes yes right
yes yes not even once
rare card
were as though
this what this this this this this
five
hats
five hats
yes they've made
yes around
yes around around
no Come
Catching asKed Claim Come
these her has
SinCe Son Strangely
had had had enough
what'S what'S
and what'S that
what'S that
threatS
working working
dark in the dark
and and
that
what'S that
look look
furtive look
mother the mother
I don'T know
worlD whaT whaT
thiS thiS thiS riFF raFF
her SilenT SpoKe beST
her thoughT of SilenT
of of to of thoughT Brother
he he he BeCame
she Something
Selfish aS aS if if if
earS uP
Down uP Down uP Down
he hiS he hiS hiS he
BuT BuT BuT BuT
but but but
but but buT
thaT'S all thaT'S all
SlumPeD firST imPreSSion
eyeS Say ShoulDerS thaT'S all
miSS here
miSS here
MISS HEre
come thaT
from from thaT
nonchalanCe So SO SO SO
poliCe
PoliCe
arreSTed goeS QuiCKly
PoliCe
PreParaTionS
PreSenT PoliCe PerSon PreParaTionS
SeaSon STill Summer
She SPlaSh houSe
SeaSon SeaSon
here
APPEAR
MOTHER
THOUGHT FELT
HOW HOW HOW
BUT SHE CHANGED
POLICE DISGRACE
NO WRONG
EYES REASON POLICE
SEASON STILL
BROUGHT STILL
STILL SEASON
blood loong blood
long work
blood work blood long work
police.
outside
pressed eyes descend stairs once once eyes steady
the police was in charge of the present
streetcar rushed
hundreds of gates
and the police left.
::salvage poetry videos::
Links to the videos:
The first three parts of the "salvage poetry project" video series offer visual evidence for where the poems' words come from; the fourth is a speedpaint-style sketch or illustration of the poems' content (in part due to lack of evidence)
Back to main [poetry] page.
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